Chicago - A message from the station manager

By The Beachwood Break It Down Affairs Desk

“In 1991 Public Enemy wrote a song criticizing Arizona officials (including John McCain and Fife Symington) for rejecting the federal holiday honoring Dr. Martin Luther King Jr.,” Chuck D writes. “The same politics written about in ‘By the Time I Get to Arizona’ are alive and well in Arizona today, but this time the target is Brown people.”
Released: October 3, 1991
Length: 4:48
Label: Def Jam/Columbia
Sample Credits: “Walk On/The Love You Save” by the Jackson 5; “Two Sisters of Mystery” by Mandrill
New Cover: By Toki Wright

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Posted on May 14, 2010

DeRo’s Last Waltz

By Steve Rhodes

Outgoing Sun-Times rock critic Jim DeRogatis listed on Sunday the top 15 concerts he covered for the paper over his tenure there. I’ll augment those choices here with some audio, some video, some comments of my own.
Band: Nirvana
Venue: Aragon
Date: Oct. 23, 1993
Comment: This is audio only.

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Posted on May 11, 2010

Under Their Thumb: Part Two

By Drew Adamek

Our conversation with Bill German, the author of Under Their Thumb: How a Nice Boy From Brooklyn Got Mixed Up With The Rolling Stones (And Lived to Tell About It), continues. Part One is here.

Beachwood: You describe living life without the Stones changing from daunting to necessary. What was that like?
German: It may have had something to do with me turning 30, but it just started to feel like a bit of a drag. It was a cumulative effect; dealing with the people around the Stones got harder, and things started to get more corporate, starting with the Steel Wheels tour. I knew it wasn’t going to get any better.
When they did their Voodoo Lounge tour in ’94-’95, everything was just so much more corporate. It made it that much more difficult for me to interview the band. It used to be that I would just pop over to Ronnie Wood’s house to interview him. I’d just call him up, and tell him I am coming over. Keith, pretty much the same thing. He would say, send Bill German down and it was like, okay, Bill German is coming down. It was just that easy, and then suddenly there are publicists, and tour promoters and bodyguards, which they didn’t have in the 1980s, not on a regular basis anyways. All of that made my job more difficult, as far as getting interviews, getting access, getting news to the fans. Even getting photos became a problem, they developed all these rules about photos and it just became too much of a crush.
Then I got disenchanted as a fan. It’s just too disappointing to know that the Stones are going to charge $500 for a ticket and that fans are going to be locked out. Some of their hardest core fans won’t be able to see them because they simple can’t afford it. So of all that together conspired to make me feel like I had done it long enough. And it had been 17 years; it was more than half my life. That’s basically what got me to quit.

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Posted on May 6, 2010

Under Their Thumb: Part One

By Drew Adamek

A Rock ‘n’ Roll Love Story: Bill German and the Rolling Stones
Bill German lived every literate rock ‘n’ roll fan’s wet dream: He turned a teenage cut-and-paste fanzine into a globetrotting adventure, rubbing shoulders with an unbelievable coterie of rock stars, celebrities and sycophants. For 17 years, he wrote, designed, published and circulated more than 100 issues of Beggars Banquet, the paper of record about the World’s Greatest Rock ‘n’ Roll band.
German started Beggars Banquet in his bedroom as an aspiring teenage journalist in 1978 with little more than a pair of scissors, illicit access to his high school’s mimeograph room and an obsessive determination to get the story right. He created a newsletter that published everything fit to print about the Stones: public sightings, tour plans, recording updates, show reports and exclusive interviews.
He started out selling copies at Manhattan record shops, but over time Beggars Banquet grew to include thousands of subscribers from all over the world. German dropped out of NYU journalism school after a year to work full-time on the ‘zine. He never made much more than a subsistence wage for all his efforts. He kept Beggars Banquet going out of a love for journalism, the thrill of the chase and an unbridled passion for all things Stones.
Then German got his big break outside of a Manhattan nightclub one night when he handed Keith Richards and Ron Wood a copy of his newsletter. The Stones loved it, becoming supporters and important sources of information for him. In 1984, the band made Beggars Banquet its official newsletter.
German also fell in with the Stones personally; he co-authored a book with Ronnie Wood and Keith Richards took him under his wing and gave him some of his best tips. Mick Jagger was “a nice bunch of fellas” to him.
Under Their Thumb: How a Nice Boy From Brooklyn Got Mixed Up With The Rolling Stones (And Lived to Tell About It), chronicles German’s journey from high school kid with a passion for the Rolling Stones to band confidant and back. But more than a kiss-and-tell insider account of the Rolling Stones, Under Their Thumb is also a journalist’s tale, full of ethical conflicts and hard-earned learning experiences.
German set out to become a writer, not by classroom theory but by covering the beat he loved most. He followed the old journalism saw: Write what you know, and write as if you were the audience. He took his journalism seriously and practiced it with a passion rarely seen in music journalism these days.
The Beachwood talked to German recently about what drove him to dedicate most of his life to writing about the Rolling Stones, what happened to all the passion in rock ‘n’ roll, and what it takes to hang with the Rolling Stones.

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Posted on May 5, 2010

Song of the Moment: Surfin’ Bird

By The Beachwood Haven’t You Heard Affairs Desk

Oh, have you not heard? It was my understanding that everyone had heard.
Band: The Trashmen
Released: 1963
Format: 7″
Length: 2:24
Label: Garrett Records
Writers: Al Frazier, Carl White, Sonny Harris, Turner Wilson Jr.
Charts: No. 4 in the Billboard Hot 100
Covered by: The Ramones, The Cramps.
Wikipedia: “[Surfin’ Bird] is a combination of two R&B hits by The Rivingtons, ‘Papa-Oom-Mow-Mow‘ and ‘The Bird’s the Word.'”

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Posted on May 4, 2010

Live: Jakob Dylan + Neko Case

By The Smile When You Call Me That Affairs Desk

“With its roots-flecked focus and universal themes, Jakob Dylan’s recent Women + Country houses a certain familiarity, and that feeling was enhanced by his Three Legs band at the comfortably full Park West on Monday,” Althea Legaspi writes in the Tribune.
“Harmonies from Neko Case and Kelly Hogan honeyed Dylan’s vocal leads during the show as they did on record. And it was Case’s own band, some of who have released records with their own respective bands on Chicago’s Bloodshot Records, who backed Dylan onstage. Windy City associations aside, it was the shared experience of hard times and waning love sentiment that further connected Dylan’s rural soundscape to this urban setting.”
A couple of clips.
1. There’s got to be someone we can trust.

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Posted on April 29, 2010

Roger Ebert’s Sex Pistols Saga

By The Beachwood Pretty Vacant Affairs Desk

“One by one, each alone, we see the FOUR SEX PISTOLS walking along these mean London streets,” Roger Ebert wrote in his just-released never-made 1977 screenplay for the Sex Pistols.

In CLOSEUPS, each one turns while still walking and addresses THE CAMERA.
STEVE JONES
We don’t make music – we make noise.
PAUL COOK
We’re so pretty vacant and we don’t care.
SID VICIOUS
We like noise – it’s our choice.
JOHNNY ROTTEN
We want to destroy the passer-by.
STEVE JONES
Passion ends in fashion.
PAUL COOK
We’re the blank generation.
SID VICIOUS
We don’t make rock and roll – we make chaos.
JOHNNY ROTTEN
Got a problem, and the problem is you. What you gonna do?
During these closeups, the beat of the TITLE SONG has been insistently ESTABLISHING itself beneath the dialogue. Now the VOCAL begins as we:
CUT TO:
TITLES
MUSIC:
The SEX PISTOLS singing “ANARCHY IN THE U.K.”

Before the madness began, Ebert had never heard of the Sex Pistols.

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Posted on April 27, 2010

Record Store Day in Chicago

By The Beachwood Rock Saves Lives Affairs Desk

“This is the one day that all of the independently owned record stores come together with artists to celebrate the art of music. Special vinyl and CD releases and various promotional products are made exclusively for the day and hundreds of artists in the United States and in various countries across the globe make special appearances and performances. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, djs spinning records and on and on. Metallica officially kicked off Record Store Day at Rasputin Music in San Francisco on April 19, 2008 and Record Store Day is now celebrated the third Saturday every April.”
A few selections from participating Chicago bands and record stores from Saturday.

1. Sweet Cobra @ Reckless (Downtown).

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Posted on April 21, 2010

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