By Steve Rhodes
“Once upon a time in America, Toni Morrison wrote in Beloved, her masterpiece, the presence of a black face in a newspaper would induce something close to horror in certain readers,” Dwight Garner writes for the New York Times.
“That face wasn’t there for any happy or noble reason. It wasn’t even there because the black person had been killed or ‘maimed or caught or burned or jailed or whipped or evicted or stomped or raped or cheated,’ because those things didn’t qualify as news. The purpose of the photo had to be more unusual.
“Over the course of her long and exceptional literary career, which included the Nobel Prize in Literature in 1993, Morrison, who died on Monday at 88, brought a freight of news about black life in America (and about life, period) to millions of readers across the globe. Much of this news was of the sort that, in terms of its stark and sensitive awareness of the consequences of racism, opened an abyss at one’s feet and changed the taste of the saliva in one’s mouth.”
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Posted on August 8, 2019