Chicago - A message from the station manager

Banned In The USSR

By Aeon

“For two decades following the Second World War, music in the Soviet Union was tightly restricted by the Communist Party. Bans on Western genres such as boogie-woogie, jazz and, later, rock ‘n’ roll, as well as other styles deemed threatening to the political order, extended not only to public radio waves, but to private listening too.
“This prohibition, and the subsequent demand it created, gave rise to a black market of banned records carved into used X-ray film – contraband items colloquially known as ‘ribs’ and ‘bone music’ that would later become emblems of rock ‘n’ roll rebellion.
“This short documentary from the UK independent music and arts enterprise the Vinyl Factory traces the grooves of X-ray records, using primary sources to retell how these crackling, bendable bootlegs came to be sold on Soviet streets thanks to their risk-taking, music-loving makers and dealers.”

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Posted on November 29, 2019

Bloodshot Records’ Defiant 25th Year In Review

By Bloodshot Records

Here’s a chronological look back at our releases of the last 12 months.
VANDOLIERS – Forever
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Released: February 22, 2019
Vandoliers are the next wave of Texas music. The six-piece Dallas-Fort Worth group channels all that makes this vast state unique: tradition, modernity, audacity, grit, and – of course – size. Forever puts it all together for an enthralling ride down a fresh Lone Star highway.

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Posted on November 20, 2019

Verböten

‘A new musical inspired by Chicago’s own young punks . . . with music and lyrics by Jason Narducy and book by playwright Brett Neveu.

Chicago-based guitarist Jason Narducy started a punk rock band in Evanston in 1982. “I was 11 years old and it felt incredible to write original songs and play them with my friends. We all had our own issues at home but we found love and support in our little group. We were Verböten.”

Premiering with The House Theatre of Chicago in January at the Chopin Theatre in Chicago.

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Posted on November 14, 2019

Dark Was The Night, Cold Was The Ground

By Aeon

Johnson’s song concerns a situation he faced many times: nightfall with no place to sleep. Since humans appeared on Earth, the shroud of night has yet to fall without touching a man or woman in the same plight.
– Carl Sagan, on including Blind Willie Johnson’s “Dark Was the Night, Cold Was the Ground” (1927) on the Voyager Golden Records
The U.S. gospel blues musician and evangelist Blind Willie Johnson was born to a sharecropping family in the small town of Pendleton, Texas in 1897. After learning to play a cigar-box guitar, he performed as a popular street musician throughout Texas, eventually recording 30 songs for Columbia Records between 1927 and 1930. Little notice was taken of his death in 1945, and much of his biography remains a mystery. What is certain, however, is that today his legendary low-register howl and slide guitar persists, both on our planet and in interstellar space.

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Posted on November 4, 2019

Nickelback’s Record Label Abuses Copyright To Silence Political Speech

By Katharine Trendacosta and Samantha Hamilton/Electronic Freedom Foundation

Nickelback never asked to become a meme. And yet, after the Internet decided it hated the Canadian alternative rock band due to the lead singer’s unique voice, users have shared their image millions of times. But their record label decided to draw a line at President Trump tweeting a meme putting the Biden-Ukraine controversy into a Nickelback music video. We may tend not to think of memes as political speech, but they can be. And when someone expresses a political message via meme, using copyright law to silence their speech when it is very clearly fair use is an abuse of copyright.

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Posted on November 1, 2019