By Michael Tymkiw/The Conversation
For many people, events such as the “Unite the Right” rally in Charlottesville, Virginia, with its torchlight parade, eagle-emblazoned shields and Nazi flags, bring with them uncomfortable reminders of fascist visual culture from the 1920s to 1945.
While individuals and organizations associated with the far right have long appropriated elements from fascist visual culture, the sheer brazenness with which symbols and images were appropriated in Charlottesville, the ensuing violence and the proliferation of photographs and videos depicting these events made the specter of fascism seem disconcertingly close.
If we wish to understand how the far right engages audiences today, it is useful to reflect on how fascist visual culture functioned nearly a century ago – particularly in Germany, where the most virulently racist and antisemitic strand of fascism took hold.
Posted on May 30, 2018