Chicago - A message from the station manager

Cab Calloway’s Chicago

By Steve Rhodes

An American Masters episode on Cab Calloway debuted this week on PBS to generally good reviews. While Calloway is mostly a New York figure, Chicago played an important role in his career. Let’s take a look, first with a bit of background and then some video.
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“Although Calloway came of age at the Cotton Club in Harlem (during a time when blacks were not allowed to sit in the audience), his Chicago connections are important,” Dave Hoekstra wrote in the Sun-Times.
The links that follow are mine because the Sun-Times still doesn’t know how to make them. See how they enrich the story – along with the videos. 3-D journalism, my friends.
“His older sister Blanche was the bandleader for Blanche Calloway and her Joy Boys, a Chicago-based band that included Louis Armstrong and future Calloway drummer Cozy Cole. Cab Calloway debuted in Chicago in 1928 at the Dreamland Cafe.
“According to Dempsey Travis’ An Autobiography of Black Jazz, the Dreamland was managed by Bill Bottoms, who later became the chef for boxer Joe Louis. Calloway’s first full-time gig was as house singer with Armstrong and Earl Hines at the Sunset Cafe, 35th and Calumet. The mobbed-up Sunset was the South Side’s version of the Cotton Club, with chorus girls, comedians and tap dancers.”

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Posted on February 29, 2012

The Week in Chicago Rock

By The Beachwood Rock Local Affairs Desk

You shoulda been there.
1. Trivium at the House of Blues on Tuesday night.

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Posted on February 24, 2012

Remembering Lil’ Scotty: Bluesman, Buttonman

Gutbucket Grit

“If blues music is rooted in adversity, bluesman Clarence ‘Little Scotty’ Scott had plenty to draw on,” Graydon Megan wrote for the Tribune last week.
“From surviving a scarring house fire as a youngster to making a return to full-throated blues singing after a tracheostomy several years ago, Mr. Scott never lost his good humor, his concern for social causes or, most especially, his commitment to the blues.
“‘He was the only blues singer I know of who was able to sing powerful, funky, gutbucket blues while having a trach tube – which he plugged up with a Sharpie pen,’ said his friend Steve Balkin, a Roosevelt University professor and historian of the Maxwell Street market where Mr. Scott often sang. ‘He had a real sense of street grit about him.’

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Posted on February 21, 2012

The Week in Chicago Rock

By The Beachwood Rock Local Affairs Desk

You shoulda been there.
1. Die Antwoord at the Metro on Wednesday night.

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Posted on February 17, 2012

Chicago vs. Drake

Uploaded to YouTube on Wednesday by the Windy City Bboys.

Why diss Drake?
The answer is simple, I agree with Common and his standpoints on ‘Sweetness’ a plague that has infected the Hip Hop community in ALL elements (Emceeing, Bboying, Graffiti Art and Djing) . . . so it’s not just Drake
I don’t hate Drake he just happens to be on top using the word “Hip-Hop” to captivate a following and presenting this culture in a tasteless way. I don’t know about you guys and when I say you guys I mean the Hip Hop headz that have struggled for years to keep the true essence of this art form alive . . . but I find it disrespectful and demeaning when someone comes onto the scene and takes shortcuts to get a “name” without paying dues and most importantly not grasping what this culture means.
To the average person . . . I’ll put it to you likes this:
Let’s say you’ve worked at your job for 10 years, you’ve worked hard to get where you’re at, you’ve become an expert at what you do . . . now a new hire comes in and they start that person at the same wage as you.
I worked in the corporate world for a decade for a reputable telecommunications company and I know it happens there too . . . and what have all of you done when this has happened?
Point is, dig a little deeper and you’ll find that this Culture has much more to offer when you truly embrace it.

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Posted on February 16, 2012

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