By Steve Rhodes
The New Yorker seemed to slump over the summer but it’s come back this fall with a vengeance, especially in a series of outstanding profiles. In the current issue alone, you will find compelling portraits Bob Barr, Robert Mugabe, and (the late) Marlon Brando.
Let’s start with Brando.
I have a high appreciation of the art, power, and technique of film, but I am by no means a buff, so I can’t say whether what Claudia Roth Pierpont writes will be new to students of the cinema, but I found it pretty interesting.
This isn’t a full-blown profile, but it may as well be. Pierpont uses Brando’s Method acting style to plumb his psyche and what she finds is disturbing.
Posted on October 24, 2008