By Kathryn Ware
John From Cincinnati is one whacked-out show. Theories abound on the Internet as to just what’s going on in this series, HBO’s hopeful successor to The Sopranos. The first two episodes were baffling in a Twin Peaks way, which was unexpected and frustrating. It made me miss Deadwood, creator David Milch’s previous endeavor, all the more. (I have a friend who’s boycotting John From Cincinnati; doubtless he’s not the only one hoping a ratings flop will open the door for Milch and HBO to resuscitate Deadwood. I’m convinced even Zippy the parrot couldn’t bring that series back to life.)
JFC centers on the Yost family of Imperial Beach, California, three generations of former and future surf legends who have seen better days. Mitch (Bruce Greenwood), the patriarch, blew his knee out years ago. His son Butchie (Brian Van Holt) blew his career on drugs. And now Butchie’s teenage son Shaun (Greyson Fletcher) is blowing away the competition, the next superstar surfer in the Yost family. Mitch’s wife, Cissy (Rebecca De Mornay), is angry at the world but she’s doing her best to help Shaun achieve his dream. Mitch however, doesn’t want Shaun to end up like Butchie.
The Yosts are surrounded by an eclectic menagerie, most of whom are shrouded in backstory we’ve yet to discover. JFC has surfing, drug addiction, levitation, a potentially haunted motel room, resurrection (both human and parrot), greedy agents, a drug-dealing guardian angel, a bubble-wrapped circular stairway, and strange visions shared by multiple characters.
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Posted on July 6, 2007