By Marilyn Ferdinand
You can’t be a serious film geek without accumulating along with your ticket stubs and memorabilia a raft of stories about your movie-related experiences. Some of the stories are impressive. For instance, I can boast of having a three-hour dinner at a film festival with Sam Elliott, as well as winning a vintage program from the 1961 King of Kings by naming three actresses known for playing flappers in the silent era (Clara Bow, Gloria Swanson, and Colleen Moore) at Roger Ebert’s Overlooked Film Festival.
Then there are my endurance anecdotes, like standing for 45 minutes in Arctic-like cold to attend opening night of The Exorcist at the Gateway Theatre; nearly bursting a kidney by refusing to miss one second of Edward Yang’s 4-hour A Brighter Summer Day; and sitting through not one or two, but eight film breaks to see Jean Renoir’s French Cancan at the Music Box.
And every film buff has a theatre that fills her or his imagination in some way. Some theatres, like the Elgin in New York City (“The Radio City Music Hall of Midnight Movies”), are the stuff of legend. Others are uncomfortable, even deplorably shabby, but still beloved for presenting those cherished or rare films we live for. And then there’s the Skokie Theatre.
Posted on June 25, 2006